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Showing posts with label George R. Sims. Show all posts
Showing posts with label George R. Sims. Show all posts

Friday, 25 May 2012

“…Skims Down the Wing like a Bird in Flight, Such are his Ease and Grace and Skill; and at the Right Moment – Thud! and the Ball has Whizzed into the Net, a Splendid and Most Excellent Goal:” Or: London Football in 1903:


To honour the fact that Chelsea have recently become the first team from the capital to win the European Cup, I thought it pertinent to mark the occasion with a football-based bit of history. I must admit, this article is not quite Victorian, having been written in 1902.
It comes from a three-part anthology entitled ‘Living London’ edited by George R Sims. If you’re unfamiliar with Sims, here is an article I wrote about him a couple of Christmases ago, to celebrate his poem ‘In the Workhouse, Christmas Day’

If you have an interest in London history, ‘Living London’ is well worth seeking out, and, in fact, I have used it as a source on here before, on this this article article about pawnbroking.

The following article is entitled ‘Football London’ and was written by Henry Leach:

In Battersea Park
There is one section of London's vast population which doesn't care a jot for football, another which goes simply mad over   it, and there is every reason to believe that the latter is increasing considerably. And these two sections, be it remembered, are not merely and respectively the old and the young. Whilst there are ragged urchins kicking paper balls in back alleys in Fulham and Whitechapel, there are top-hatted, frockcoated gentlemen with grey beards, who sorrow over the passing of sixty winters, but who yet on this same afternoon are kicking the boards in front of them on the stand at Queen's Club, so high and so uncontrollable is their excitement as they watch the fortunes of a great match. Only in the brief half-time interval, when the players are being refreshed, is the nervous strain the least bit slackened.  A football ground, after all, is one of the   best places in the World for the observation of raw human nature.

There have been many eras of London football, and of such stern stuff is the London football enthusiast made that for a period of adversity, extending over nearly two decades, he could still keep his mind steadfastly fixed on one great purpose and work unceasingly for its accomplishment. So in 1901, when Tottenham Hotspur won the English Cup, the equality of London with the rest of the football world – not to say its superiority – was re-established.
Football in London rouses itself from its summer's sleep less readily than it does in the   provinces, where they keep a vigil on the last night of August that they may the earlier kick the ball when September dawns. In London we are not so precipitous, and we recognise the right of King Cricket to prolong his life for a few more days if he may. Nevertheless, when the autumn comes, football is in the air, and the great professional clubs lose no time in the commencement of their business. Even in August, when the sun is hot o'erhead, and when, according to football law, no matches shall be played under pain of the most grievous penalties – yes, even in this warm, mellow month, if you come with me down to Woolwich or to Tottenham I could show you crowds some thousand s strong.  And these would be criticising, praising and condemning, hoping and despairing, but all of them yelling, as they watch the first practice games of the season in which old and new players are weighed in the balance and accepted or rejected for the League team as the case may be. This is a time for nervous excitement   for all concerned, and indeed in this respect there is only one other period which may be properly likened unto this one upon the threshold of the season's campaign.  And that other one is eight months in advance, in the last days of March and the beginning of  April, when the proven  stalwarts of the season close together for the final bout in which the honours at last are the laurels of absolute and undisputed championship.

It seems to me that few modern pastimes can so conjure up in one's mind a vision of the games of old as this practice football, when the qualities of the players are being tested, and when every mind is on the strain as to how the best possible team shall be selected. Every individual of the crowd round the rails has an interest in the result. Either he pays his half-guinea for a season ticket, or his admission money every Saturday, and if the team is not to his liking he will want to know the reason why. Nominally the committee is the arbiter and it actually makes the choice of men; but no committee of a professional club in the metropolitan area or anywhere else would dare to neglect the force of public opinion to any substantial extent. You see, it takes some   thousands a year to run these professional clubs, and those thousands have to come from the men who are shouting round the green.
And so it happens that when Sandy McTavish, the new forward, who has come all the way from Motherwell, Dumbarton, or the Vale of Leven for four pounds a week, strips himself and bounds into the ring for practice and for judgment, his feelings on analysis are found to be much the same as those of the gladiator in the glorious days of Rome. Sandy skims down the wing like a bird in flight, such are his ease and grace and skill; and at the right moment – thud! and the ball has whizzed into the net, a splendid and  most excellent  goal. Sandy thus has made his mute appeal. The crowd is appreciative, it, screams its pleasure, the latest Scot is the greatest hero, and – it is thumbs up for Sandy. But what if he fumbled and fell, and, perhaps through sheer nervousness, did nought that was good upon a football field? None would know so well as Sandy that his fate was sealed, and that no mercy awaited him. There are scolds and murmurs of discontent from beyond the touch-line, and most cutting of all, there are derisive cheers. Poor miserable Sandy knows full well that thumbs are down, and a vision of the second team, with a subsequent ignominious transfer to some other club, comes up in his tortured mind. Yes, for the human view of it, for the strenuousness, the excitement, the doubt, and the stirring episodes of London football, give me the practice games in the early days when the law forbids a real foe.
And when the season opens, away bound the professional teams like hounds unleashed, and every camp is stirred with anxious thoughts. There is Tottenham Hotspur, who vindicated the South after the period of darkness. Nowhere is there such enthusiasm as at Tottenham, where the bands play and the spectators roar themselves hoarse when goals are scored, and betake themselves in some numbers to the football hostelries when all is over to fight the battle once again.

It is a football fever of severe form which is abroad at Tottenham. Again, at Plumstead, where the Woolwich Arsenal play – a club of many achievements and more disappointments. The followers of the Reels, as they call them from their crimson shirts, are amongst the most loyal in the land, and Woolwich led the way in the resuscitation of the South. League clubs came to Plumstead when Tottenham was little more than a name.

Over at Millwall is the club of that name, which has likewise had its ups and downs, though they call it by way of pseudonym the Millwall Lion. In the meantime, whilst these great teams, and the others which are associated with them in London professionalism, play the grand football, there are no lesser if younger enthusiasts by the thousand in the streets and on the commons and in the parks, and their grade of show ranges from the paper or the rag ball of first mention in this article to the full paraphernalia of the Number Five leather case and the regulation goal posts and net. And don't think this is not the most earnest football.  If you do, stroll upon some Saturday in the winter time into Battersea and Regent's Park, and there you will see the youngsters striving for the honours of victory and for the points of their minor Leagues. The London County Council makes provision for no fewer than eight thousand of these football matches in its parks in a single season. And at our London public schools great homage is paid to King Football under widely varying conditions. At one institution – St. Paul's Cathedral Choir School – it is even played on the roof, as the illustration shows.

 And then there are two other continuous 
i;;, b
 
features of London football that I must note. The one is the great and noble element of amateurism which must always flourish. Go to Queen's Club, Kensington, one of the finest football arenas in the world, and there you will see a struggle between the great Corinthians – the most athletic gentlemen in London – and, very likely, one of the strongest League teams from the country. There is certain to be a very big crowd, which is second to none in enthusiasm, but there is this difference between the Queen's Club Corinthian congregation and most others, that it  is a trifle more cosmopolitan, a trifle less fanatical, that it breathes a little more of the spirit of amateurism and the ‘Varsities. 
And up at another great amateur headquarters, Tufnell Park, you should see a game between the renowned Casuals and the London Caledonians or "Caleys." That is the game to warm the blood of a football follower. And at that historic spot which is known as the "Spotted Dog," you will find the great Clapton team disport themselves. These   representatives of amateurism are indeed great in their past, great in their traditions, even if they are not great in the eyes of the Leagues.
The other notable and enduring feature of London football is its Rugby section. It has a story all its own, and the Rugby enthusiast never could see anything in the “socker” game. It is admitted that “rugger” is a cult, a superior cult, and though it has its followers by thousands in London, it is not the game of the people as is that played under the rival code of laws. Yet London has always held a glorious place in the Rugby football world, and the public schools and the 'Varsities supply such a constant infusion of good new blood, so that when the fame of Richmond and Blackheath fade away, we shall    be listening for the crack of Rugby doom.
And so the eight months' season with its League games, its cup-ties, its 'Varsity matches, rolls along, we round the Christmas corner with its football comicalities, and we come in due course to the greatest day of all the football year, when the final tie in  the English Cup competition is fought out at the Crystal Palace.

It cannot be an exaggeration to say that it is one of the sights of the London year when   over 100,000 screaming people are standing upon the slopes of Sydenham, and with quickened pulses watching the progress of the struggle. How the railway companies get them all there from the city is a mystery, and it is another, though a lesser one, as  to how quite half that crowd has travelled up from the country towns and cities in the  small hours of the morning. On his arrival, the country Cup-tie visitor, whether he comes from Manchester, Sheffield, Birmingham, or  any other of the great centres, lets  all London know of the fact, so much is he badged and bedecked in the colours of his favourites.
At night, when the greatest battle has been won and lost, he swarms over the West End with his pockets full of the many football editions, and a death card of the losing   team in proper black-bordered “In Memoriam” style tucked away in his pockets as a memento. In both these paper goods is a great trade done. Football journalism is a profession in itself, with all its own editors, specialists, and reporters.
The Cup day passes, and now the season nears its end. For still a week or two it holds up its tired, nodding head; but at last there comes the first morning of May, and all is over. And even the football Londoner is not sorry for that.






Thursday, 20 October 2011

“Picks, Spades, Fire-Irons, Musical Instruments, Cabmens' Whips, Umbrellas — Yes, Even a Tiny Pair of Child's Shoes — Everything.” Or: The Victorian Pawnbroking Trade.

There was a lot of poverty in the nineteenth century, and people in the working classes could easily fall into a desperate cycle involving one of the most curious, and yet popular establishments of the Victorian city. For a struggling man or woman with a partner and / or children to keep, there was always one option open if some fast and relatively easy money was required to tide you over until payday – as long as you didn’t mind losing a possession for a short while – and in these cases, relief came by way of the pawnbroker.

Pawnbroker’s shops could be found in most poor districts of London and other major cities. The idea was that the person or family in want of cash would take one of their possessions to the pawnbrokers, and the pawnbroker himself would assess the article – whether it be a ring, a brooch, a watch, or, more likely in the cases of the poor, a pair of boots or a shawl – and give the owner a small amount of money for it, along with a ticket (a kind of receipt). When the owner had been paid – or found some money by another means – he could return to the pawnbroker with his ticket and buy his item back.

If the owner of the item did not return to ‘buy back’ his item, it became the legal property of the pawnbroker, depending on the item’s value. By law, an item pawned for fifty pence or less and not bought back in the time allowed would belong to the pawnbroker.
An item worth more than fifty pence which was not bought back in time would be sold to the public by the pawnbroker.
The pawnbrokers did a great trade, and made their money not only by selling the items back to their owners or the public, but they also charged a halfpenny for the pawn ticket, and could also charge interest, starting at a halfpenny per month on every 2s lent.

This means that if a man took an item into a pawnbroker and was given 2s for it, he would actually pay 2s and halfpence. (halfpence being the price of the ticket)
If he did not return for his item for twelve months, he then owed the pawnbroker a further sixpence (half a penny per month interest) and so would be paying 2s 6d, or half a crown.

I wont go into Victorian currency and money – it’s too confusing, but to give some idea of the amount of interest, sixpence was roughly enough money to feed a family of between four and six people. The pawnbroker worked in a similar way to today’s bank loans, what with the interest and such.

 The Pawnbrokers were governed by certain restrictions set out by law to stop them ripping people off or taking advantage of people. These restrictions included:


-          A Pawnbroker must not take in pawn any article from a person under the age of twelve, or intoxicated.

-          Must not take in pawn any linen or apparel or unfinished goods or materials entrusted to wash, make up, etc.

-          A new pawnbroker must produce a magistrate's certificate before he can receive a licence.

-          The permit cannot be refused if the applicant gives sufficient evidence that he is a person of good character.

-          The word "pawnbroker" must always be inscribed in large letters over the door of the shop.

I’ve found two articles – one from the year before the start of Victoria’s reign, and one from the year after, which give more details about the pawnbrokers, and how little they seem to have changed over the entire Victorian period.

The first is from Charles Dickens’ ‘Sketches by Boz’ from 1836:

The Pawnbrokers Shop
Of the numerous receptacles for misery and distress with which the streets of London unhappily abound, there are, perhaps, none which present such striking scenes as the pawnbrokers’ shops. The very nature and description of these places occasions their being but little known, except to the unfortunate beings whose profligacy or misfortune drives them to seek the temporary relief they offer. The subject may appear, at first sight, to be anything but an inviting one, but we venture on it nevertheless, in the hope that, as far as the limits of our present paper are concerned, it will present nothing to disgust even the most fastidious reader.

There are some pawnbrokers’ shops of a very superior description. There are grades in pawning as in everything else, and distinctions must be observed even in poverty. The aristocratic Spanish cloak and the plebeian calico shirt, the silver fork and the flat iron, the muslin cravat and the Belcher neckerchief, would but ill assort together; so, the better sort of pawnbroker calls himself a silver-smith, and decorates his shop with handsome trinkets and expensive jewellery, while the more humble money-lender boldly advertises his calling, and invites observation. It is with pawnbrokers’ shops of the latter class, that we have to do. We have selected one for our purpose, and will endeavour to describe it.

The pawnbroker’s shop is situated near Drury-Lane, at the corner of a court, which affords a side entrance for the accommodation of such customers as may be desirous of avoiding the observation of the passers-by, or the chance of recognition in the public street. It is a low, dirty-looking, dusty shop, the door of which stands always doubtfully, a little way open: half inviting, half repelling the hesitating visitor, who, if he be as yet uninitiated, examines one of the old garnet brooches in the window for a minute or two with affected eagerness, as if he contemplated making a purchase; and then looking cautiously round to ascertain that no one watches him, hastily slinks in: the door closing of itself after him, to just its former width.
The shop front and the window-frames bear evident marks of having been once painted; but, what the colour was originally, or at what date it was probably laid on, are at this remote period questions which may be asked, but cannot be answered. Tradition states that the transparency in the front door, which displays at night three red balls on a blue ground, once bore also, inscribed in graceful waves, the words ‘Money advanced on plate, jewels, wearing apparel, and every description of property,’ but a few illegible hieroglyphics are all that now remain to attest the fact.

The plate and jewels would seem to have disappeared, together with the announcement, for the articles of stock, which are displayed in some profusion in the window, do not include any very valuable luxuries of either kind. A few old china cups; some modern vases, adorned with paltry paintings of three Spanish cavaliers playing three Spanish guitars; or a party of boors carousing: each boor with one leg painfully elevated in the air, by way of expressing his perfect freedom and gaiety; several sets of chessmen, two or three flutes, a few fiddles, a round-eyed portrait staring in astonishment from a very dark ground; some gaudily-bound prayer-books and testaments, two rows of silver watches quite as clumsy and almost as large as Ferguson’s first; numerous old-fashioned table and tea spoons, displayed, fan-like, in half-dozens; strings of coral with great broad gilt snaps; cards of rings and brooches, fastened and labelled separately, like the insects in the British Museum; cheap silver penholders and snuff-boxes, with a masonic star, complete the jewellery department; while five or six beds in smeary clouded ticks, strings of blankets and sheets, silk and cotton handkerchiefs, and wearing apparel of every description, form the more useful, though even less ornamental, part, of the articles exposed for sale.

An extensive collection of planes, chisels, saws, and other carpenters’ tools, which have been pledged, and never redeemed, form the foreground of the picture; while the large frames full of ticketed bundles, which are dimly seen through the dirty casement up-stairs—the squalid neighbourhood—the adjoining houses, straggling, shrunken, and rotten, with one or two filthy, unwholesome-looking heads thrust out of every window, and old red pans and stunted plants exposed on the tottering parapets, to the manifest hazard of the heads of the passers-by—the noisy men loitering under the archway at the corner of the court, or about the gin-shop next door—and their wives patiently standing on the curb-stone, with large baskets of cheap vegetables slung round them for sale, are its immediate auxiliaries.

If the outside of the pawnbroker’s shop be calculated to attract the attention, or excite the interest, of the speculative pedestrian, its interior cannot fail to produce the same effect in an increased degree. The front door, which we have before noticed, opens into the common shop, which is the resort of all those customers whose habitual acquaintance with such scenes renders them indifferent to the observation of their companions in poverty. The side door opens into a small passage from which some half-dozen doors (which may be secured on the inside by bolts) open into a corresponding number of little dens, or closets, which face the counter. Here, the more timid or respectable portion of the crowd shroud themselves from the notice of the remainder, and patiently wait until the gentleman behind the counter, with the curly black hair, diamond ring, and double silver watch-guard, shall feel disposed to favour them with his notice—a consummation which depends considerably on the temper of the aforesaid gentleman for the time being.

At the present moment, this elegantly-attired individual is in the act of entering the duplicate he has just made out, in a thick book: a process from which he is diverted occasionally, by a conversation he is carrying on with another young man similarly employed at a little distance from him, whose allusions to ‘that last bottle of soda-water last night,’ and ‘how regularly round my hat he felt himself when the young ’ooman gave ’em in charge,’ would appear to refer to the consequences of some stolen joviality of the preceding evening. The customers generally, however, seem unable to participate in the amusement derivable from this source, for an old sallow-looking woman, who has been leaning with both arms on the counter with a small bundle before her, for half an hour previously, suddenly interrupts the conversation by addressing the jewelled shopman—

 ‘Now, Mr. Henry, do make haste, there’s a good soul, for my two grandchildren’s locked up at home, and I’m afeer’d of the fire.’ The shopman slightly raises his head, with an air of deep abstraction, and resumes his entry with as much deliberation as if he were engraving.
‘You’re in a hurry, Mrs. Tatham, this ev’nin’, an’t you?’ is the only notice he deigns to take, after the lapse of five minutes or so.
‘Yes, I am indeed, Mr. Henry; now, do serve me next, there’s a good creetur. I wouldn’t worry you, only it’s all along o’ them botherin’ children.’
‘What have you got here?’ inquires the shopman, unpinning the bundle—‘old concern, I suppose—pair o’ stays and a petticut. You must look up somethin’ else, old ’ooman; I can’t lend you anything more upon them; they’re completely worn out by this time, if it’s only by putting in, and taking out again, three times a week.’
‘Oh! you’re a rum un, you are,’ replies the old woman, laughing extremely, as in duty bound; ‘I wish I’d got the gift of the gab like you; see if I’d be up the spout so often then! No, no; it an’t the petticut; it’s a child’s frock and a beautiful silk ankecher, as belongs to my husband. He gave four shillin’ for it, the werry same blessed day as he broke his arm.’—
‘What do you want upon these?’ inquires Mr. Henry, slightly glancing at the articles, which in all probability are old acquaintances. ‘What do you want upon these?’—
‘Eighteenpence.’—
‘Lend you ninepence.’—
‘Oh, make it a shillin’; there’s a dear—do now?’—
‘Not another farden.’—
‘Well, I suppose I must take it.’ The duplicate is made out, one ticket pinned on the parcel, the other given to the old woman; the parcel is flung carelessly down into a corner, and some other customer prefers his claim to be served without further delay.

The choice falls on an unshaven, dirty, sottish-looking fellow, whose tarnished paper-cap, stuck negligently over one eye, communicates an additionally repulsive expression to his very uninviting countenance. He was enjoying a little relaxation from his sedentary pursuits a quarter of an hour ago, in kicking his wife up the court. He has come to redeem some tools:- probably to complete a job with, on account of which he has already received some money, if his inflamed countenance and drunken staggers may be taken as evidence of the fact. Having waited some little time, he makes his presence known by venting his ill-humour on a ragged urchin, who, being unable to bring his face on a level with the counter by any other process, has employed himself in climbing up, and then hooking himself on with his elbows—an uneasy perch, from which he has fallen at intervals, generally alighting on the toes of the person in his immediate vicinity. In the present case, the unfortunate little wretch has received a cuff which sends him reeling to this door; and the donor of the blow is immediately the object of general indignation.

‘What do you strike the boy for, you brute?’ exclaims a slipshod woman, with two flat irons in a little basket. ‘Do you think he’s your wife, you willin?’
‘Go and hang yourself!’ replies the gentleman addressed, with a drunken look of savage stupidity, aiming at the same time a blow at the woman which fortunately misses its object. ‘Go and hang yourself; and wait till I come and cut you down.’—
‘Cut you down,’ rejoins the woman, ‘I wish I had the cutting of you up, you wagabond! (loud.) Oh! you precious wagabond! (rather louder.) Where’s your wife, you willin? (louder still; women of this class are always sympathetic, and work themselves into a tremendous passion on the shortest notice.) Your poor dear wife as you uses worser nor a dog—strike a woman—you a man! (very shrill;) I wish I had you—I’d murder you, I would, if I died for it!’—
‘Now be civil,’ retorts the man fiercely.
‘Be civil, you wiper!’ ejaculates the woman contemptuously. ‘An’t it shocking?’ she continues, turning round, and appealing to an old woman who is peeping out of one of the little closets we have before described, and who has not the slightest objection to join in the attack, possessing, as she does, the comfortable conviction that she is bolted in. ‘Ain’t it shocking, ma’am? (Dreadful! says the old woman in a parenthesis, not exactly knowing what the question refers to.) He’s got a wife, ma’am, as takes in mangling, and is as ’dustrious and hard-working a young ’ooman as can be, (very fast) as lives in the back parlour of our ’ous, which my husband and me lives in the front one (with great rapidity)—and we hears him a beaten’ on her sometimes when he comes home drunk, the whole night through, and not only a beaten’ her, but beaten’ his own child too, to make her more miserable—ugh, you beast! and she, poor creater, won’t swear the peace agin him, nor do nothin’, because she likes the wretch arter all—worse luck!’ Here, as the woman has completely run herself out of breath, the pawnbroker himself, who has just appeared behind the counter in a gray dressing-gown, embraces the favourable opportunity of putting in a word:-

‘Now I won’t have none of this sort of thing on my premises!’ he interposes with an air of authority. ‘Mrs. Mackin, keep yourself to yourself, or you don’t get fourpence for a flat iron here; and Jinkins, you leave your ticket here till you’re sober, and send your wife for them two planes, for I won’t have you in my shop at no price; so make yourself scarce, before I make you scarcer.’

This eloquent address produces anything but the effect desired; the women rail in concert; the man hits about him in all directions, and is in the act of establishing an indisputable claim to gratuitous lodgings for the night, when the entrance of his wife, a wretched, worn-out woman, apparently in the last stage of consumption, whose face bears evident marks of recent ill-usage, and whose strength seems hardly equal to the burden—light enough, God knows!—of the thin, sickly child she carries in her arms, turns his cowardly rage in a safer direction.
‘Come home, dear,’ cries the miserable creature, in an imploring tone; ‘do come home, there’s a good fellow, and go to bed.’—
‘Go home yourself,’ rejoins the furious ruffian.
‘Do come home quietly,’ repeats the wife, bursting into tears.
‘Go home yourself,’ retorts the husband again, enforcing his argument by a blow which sends the poor creature flying out of the shop. Her ‘natural protector’ follows her up the court, alternately venting his rage in accelerating her progress, and in knocking the little scanty blue bonnet of the unfortunate child over its still more scanty and faded-looking face.

In the last box, which is situated in the darkest and most obscure corner of the shop, considerably removed from either of the gas-lights, are a young delicate girl of about twenty, and an elderly female, evidently her mother from the resemblance between them, who stand at some distance back, as if to avoid the observation even of the shopman. It is not their first visit to a pawnbroker’s shop, for they answer without a moment’s hesitation the usual questions, put in a rather respectful manner, and in a much lower tone than usual, of ‘What name shall I say?—Your own property, of course?—Where do you live?—Housekeeper or lodger?’ They bargain, too, for a higher loan than the shopman is at first inclined to offer, which a perfect stranger would be little disposed to do; and the elder female urges her daughter on, in scarcely audible whispers, to exert her utmost powers of persuasion to obtain an advance of the sum, and expatiate on the value of the articles they have brought to raise a present supply upon. They are a small gold chain and a ‘Forget me not’ ring: the girl’s property, for they are both too small for the mother; given her in better times; prized, perhaps, once, for the giver’s sake, but parted with now without a struggle; for want has hardened the mother, and her example has hardened the girl, and the prospect of receiving money, coupled with a recollection of the misery they have both endured from the want of it—the coldness of old friends—the stern refusal of some, and the still more galling compassion of others—appears to have obliterated the consciousness of self-humiliation, which the idea of their present situation would once have aroused.

In the next box, is a young female, whose attire, miserably poor, but extremely gaudy, wretchedly cold, but extravagantly fine, too plainly bespeaks her station. The rich satin gown with its faded trimmings, the worn-out thin shoes, and pink silk stockings, the summer bonnet in winter, and the sunken face, where a daub of rouge only serves as an index to the ravages of squandered health never to be regained, and lost happiness never to be restored, and where the practised smile is a wretched mockery of the misery of the heart, cannot be mistaken. There is something in the glimpse she has just caught of her young neighbour, and in the sight of the little trinkets she has offered in pawn, that seems to have awakened in this woman’s mind some slumbering recollection, and to have changed, for an instant, her whole demeanour. Her first hasty impulse was to bend forward as if to scan more minutely the appearance of her half-concealed companions; her next, on seeing them involuntarily shrink from her, to retreat to the back of the box, cover her face with her hands, and burst into tears.

There are strange chords in the human heart, which will lie dormant through years of depravity and wickedness, but which will vibrate at last to some slight circumstance apparently trivial in itself, but connected by some undefined and indistinct association, with past days that can never be recalled, and with bitter recollections from which the most degraded creature in existence cannot escape.
There has been another spectator, in the person of a woman in the common shop; the lowest of the low; dirty, unbonneted, flaunting, and slovenly. Her curiosity was at first attracted by the little she could see of the group; then her attention. The half-intoxicated leer changed to an expression of something like interest, and a feeling similar to that we have described, appeared for a moment, and only a moment, to extend itself even to her bosom.

Who shall say how soon these women may change places? The last has but two more stages—the hospital and the grave. How many females situated as her two companions are, and as she may have been once, have terminated the same wretched course, in the same wretched manner! One is already tracing her footsteps with frightful rapidity. How soon may the other follow her example! How many have done the same!
            - Charles Dickens, Sketches By Boz, 1836

The second example, from 1902, is from George R. Sims’ ‘Living London’ Volume 2. The second of a three volume set of many aspects of London life, published between 1901 and 1903. The articles are written by many different people and edited by Sims.

The following article, entitled ‘Pawnbroking London’ is written by C.A Cuthbert Keeson, who, from what I can see, only published one book of his own; ‘History and Records of Queen Victoria's Rifles 1792-1922’

Back to pawnbroking:

‘Pawnbroking London’
 LONG before the inhabitants of London were blessed with a County Council the at one time universal practice of attracting customers to a shop by means of a sign had fallen into almost complete disuse; but even in this twentieth century no enterprising pawnbroker would think of opening a shop without there hung over it, conspicuous from every point of view, "The Three Brass Balls," " The Swinging Dumplings," "The Sign of the Two to One."

It is the fashion in the trade to speak of these emblems as the insignia of the
old Lombard Merchants, and the arms of the Medici. What, however, do those three bright globes mean to thousands of people who walk the streets of London?
Some perhaps may pass them unnoticed, but to the poor — the working man who finds it difficult to properly apportion his weekly wage, the clerk out of a berth, the racing man who has had a spell of bad luck, to the small shopkeeper and the costermonger in want of ready money to replenish their stock, to the actor and actress not "in the bill"—they mean a great deal.
They mean food for the wife and children when cupboard and pocket are empty — a little money to keep things going till next payday; they mean to thousands shelter, warmth, and something to eat; and although many may consider the pawnbroker's shop an encouragement to improvidence and unthriftiness, every philanthropist who would abolish it admits that he would have to substitute some municipal or charitable pawnshop in its place.

It has been asserted that "to one in every two persons in London the pawnbroker has been in some period of his or her life a stern and unavoidable reality." This estimate may appear to be somewhat exaggerated, but investigations into the amount of business done in the pawnshops of London show that the statement is not very wide of the mark. Within a radius of ten miles from the Royal Exchange are 692 pawnbrokers shops. From figures obtained from a trustworthy source it appears that the average number of pledges taken in per month at each shop is 5000, making an aggregate for all the shops of 3,460,000, or 41,520,000 pledges per year, or rather more than six to each head of the population. In these figures pledges of more than £10 in amount are not taken into account, and a very large proportion of the London pawnbrokers do a big business of this kind.

Inquiries made at some seventeen shops in different parts of the Metropolis show that out of a million and a-quarter pledges extending over a period of twelve months 66,700 only were for amounts above ten shillings. In the trade these are known as "Auctions," having, if left unredeemed at the end of twelve months and seven days, to be disposed of at public auction. All pledges for sums under ten shillings at a like period become the absolute property of the pawnbroker.
In the seventeen shops referred to the average amount lent upon each pledge worked out at four shillings — 250,000 in all. Taking the total number of pledges made annually in London upon the same basis, viz. 41,520,000 at four shillings each, it will be seen that the pawnbrokers supply the "hard-ups" of London annually with the very large sum of £8,304,000.

There are few things in the ordinary way of life more calculated to unnerve a man than a first visit to the pawnshop. Hence most pawnbrokers, to put their customers as much at ease as possible, have their shops divided into separate compartments known as "the boxes," with the entrance up a side street, or rendered as inconspicuous as the character of the house will permit. For the better class customers the modern pawnbroker provides a comfortable "private office."

The nervous pledger, dreading he knows not what, surveys for some minutes the
contents of the window, and only after much hesitation and many false starts finds himself within the shop of that mysterious "Uncle" of whom his companions have talked so glibly. What his business was is known only to that "Uncle" and himself, and as he walks triumphantly down the street, relieved in mind and circumstance, he asks himself why he made all that fuss about so simple a matter. Yet it takes a good many visits before he feels quite at his ease.
The interview usually lasts less than a couple of minutes, and as a memorandum of it the obliging pawnbroker hands his customer a neat little square-shaped envelope containing a piece of paste board bearing upon its face a description of the article deposited and on the back an abridged version of the Pawnbrokers' Act.

Very differently does it pawner of stolen property, broker in what way his
aroused. He will tell you that he does not know.
"There is generally something," he says, "about the pawner's manner or in his replies to questions that sets the pawnbroker on his guard." He cannot define precisely what that "something" is, but he plies the would-be pledger with more pertinent queries, sets a junior hand to run over the "Police List," looks again at the article offered and at the offerer. Experience may not have made him infallible, but his daily dealings have made him wary. If the man is a "wrong 'un" the long delay makes him fidgety, and then "Uncle," confirmed in his suspicions, secretly sends for the man in blue.
Sometimes a thief will stay and try to brave the matter out, at others he makes a dash for liberty, frequently only to run into the arms of an officer waiting at the shop door.
If the article be not in the "Police List," or if the pawnbroker be not satisfied in his own mind that the goods have been dishonestly come by, he may decline the goods and let the man depart, for it is a dangerous thing to be too hasty in delivering anyone into custody.

Pawnbrokers know that if they take in a stolen article they will have to restore it to the owner, lose the money lent upon it, and attend the courts. That knowledge makes them cautious. Many magistrates and public officials contend that a considerable portion of the property stolen in the Metropolis finds its way into the hands of the pawnbrokers.
Every day reports appear in the papers in which stolen goods have been pawned, and there are a still larger number of cases which are not reported. Unquestionably quantities of stolen articles find their way to the pawnbroker, and it is generally a good thing for their owners when they do, for by means of that "automatic detective," the pawn-ticket, they are generally traced and restored.
A pawnbroker has to keep a pledge by him for twelve months and give a ticket, which many thieves seem to have a peculiar fondness for preserving. Stolen articles, however, form but an infinitesimal item in the forty one millions of pledges made yearly.
Statistics prepared for the House of Commons show that they fall far short of one per month for each of the 692 pawnbrokers in London.

To redeem a watch or an article of jewellery is an easy matter, and for even the nervous man it has usually no terrors. There are times, however, when the act of redemption is not so easy. Come with me to a busy working neighbourhood like Walworth, where pawnbrokers' shops abound and thousands of homes are dependent upon them. It is Saturday night, and the shop and stall keepers are doing a roaring trade. We turn down a side street, where the lamps do not burn so brightly, and meet a continuous procession of women hurrying away with bundles of all sorts and sizes. Some carry but one, others, assisted by children, have as many as half-a-dozen. They all come from that little door by the side of a pawnbroker's.
Standing in the background of the shop, we are confronted by a row of faces peering over the counter, the shop is one that, possibly for the convenience of so large a throng, dispenses with the boxes, and the customers all mingle together. It is a strangely animated scene, with nearly all the characters played by women. It is a rarity to see a man among them, though children are too many for our liking. Girls and even boys are there, all ready with their money, for they may redeem pledges, though the law forbids the pawnbroker to receive a pledge from anyone under the age of sixteen.

The women are mostly bare-armed, and look as though they had just come from the wash-tub. They betray no sense of shame if they feel it. They talk and gossip while waiting for their bundles, and are wonderfully polite to the perspiring assistants behind the counter. Though everybody is in a hurry there is little noise or unseemly jostling. An assistant seizes a battered tin bowl, and the front rank of pledgers toss their tickets therein. He then rapidly sorts them out, and gives .some to a boy, who darts away to the far end of the counter. The remainder he places in a canvas bag which we have noticed dangling at the end of a string at the back of the shop; he shakes the rope, and immediately the bag is whisked out of sight up the well of the lift used for conveying pledges from the shop to the warehouse above. In a minute it begins to rain bundles until the floor is thickly strewn with them.

In a conspicuous spot on the wall is a notice that no furniture or heavy goods will be delivered after 4 p.m. From that time the rapid delivery of bundles has been
proceeding; and so it goes on, hour after hour, Saturday after Saturday, year after year; every pledge produced systematically; no disputes, no haggling about change; unexamined bundles exchanged for money; money swept into a huge till; the whole accompanied with a running fire of bundles from the unseen regions above, hurled down what the pawnbroker calls the "well," but what is more familiarly known as the "spout" — that Spout up which so many things have mysteriously disappeared.

The year round there is an average of 2,000 bundles delivered each Saturday night from this shop, and if we chance that way on the following Monday and Tuesday we shall meet that same procession of women, though this time trooping towards that little side door. Occasionally a man comes on the same errand, shamefacedly trying to conceal his bundle beneath his coat. It is undoubtedly a sad scene for the moralist, but these people know no other way of living, have no place where their Sunday clothes will be safe, have no one but the pawnbroker to apply to when they feel the pinch of hunger. He is their banker and their safe-deposit, and although they know they pay dearly for it in the long run, they are thankful that they have him to turn to in their need.

They might easily be worse off, might have no other resource but to sell their sticks and clothes, or, what is as bad, take them to a "Dolly" or "Leaving" shop, so named after the "Black Doll," the conventional sign of the small brokers and rag shops, where articles that a pawnbroker will not receive may be "left" for a short term at high interest. Thanks to the provisions of the Pawnbrokers' Act, the police, so far as London is concerned, have stamped these latter pests out of existence.

The nature of a pawnbroker's business can, perhaps, be best estimated by a visit to his warehouse and an inspection of the heterogeneous collection of pledged articles. This differs, however, with the character of the shop. There are the chief pawnbrokers of London, who lend only on plate, jewellery, and property of the highest description. By the courtesy of Mr. Henry Arthur Attenborough, we were permitted to inspect the well-known premises of Messrs. George Attenborough and Son, at the junction of Chancery Lane with Fleet Street. As in most pawnbrokers', there are the boxes for the general pledger, and in addition there are two or three small offices for the reception of persons who wish to transact their business private.

All sorts and descriptions of men, and women too, come to Messrs. Attenborough. They have lent £7,000 upon a diamond necklet, a present from a royal personage to a celebrated member of the demi-monde, the said necklet being redeemed and deposited again time after time. The coronet of an Austrian nobleman remained in their custody for several years with a loan of £15,000 upon it. A savant pawned the fore-arm and hand of a mummy wearing a fine turquoise scarabaeus ring on one of the fingers. Upon the day of our visit we saw that an advance of 6d. had been made on a ring, and we were shown an application for a loan of £40,000 upon jewellery.
The seamy side of the picture is presented by the warehouse of the pawnbroker, whose chief business consists of pledges of "soft" goods. The whole house from basement to roof is built up in skeleton frames or "stacks" in which the pledges, each carefully done up in a wrapper, are neatly packed, the tickets to the front. On the first floor the weekly pledges are usually stored, that they may be ready at hand for Saturday night. There is one room devoted to the storage of furniture; in another are rows and rows of pictures, looking-glasses and overmantels. There are shelves for china and glass, ornaments and clocks; tools of every kind, sufficient to start many workshops. In odd corners we come across odd sights — sea boots and the huge boots of a sewerman; a bundle of sweeps' brooms, apparently not very long retired from active employment, picks, spades, fire-irons, musical instruments, cabmens' whips, umbrellas — yes, even a tiny pair of child's shoes — everything.

Of the thousands of pledges stored in a pawnbroker's warehouse the majority are redeemed, but there are many, variously estimated at from 20 to 33 per cent, of the whole, which remain unredeemed at the expiration of the twelve months and seven days' grace. These are known in the trade as "forfeits," and are disposed of in diverse ways. Forfeited pledges, upon which sums of less than 10s. have been advanced, become, as already stated, the pawnbroker's property. Some are placed in the sale stock; occasionally the whole bulk of two or three months' forfeits are sold to a dealer at a discount of 15 or 20 per cent off the price marked upon the tickets, the pawnbroker being anxious to get rid of them at almost any price. The remainder are sent to public auction.

Of the auctioneers who make a speciality of this business the rooms of Messrs. Debenham, Storr and Sons, King Street, Covent Garden, are, perhaps, best known to the public. On the first floor a sale of "fashionable jewellery," silver plate, watches, plated ware, etc., is proceeding. Suspended upon hooks at the far end of the room near the auctioneer's rostrum are watches too numerous to count. You may buy a bundle of them for little more than a sovereign. An irregular horseshoe of glass-topped cases, in which the more important lots are stored, form the boundary of an inner ring, into which the privileged and well-known buyers are alone allowed to enter; wooden desks or tables form the outer boundary for the smaller dealers and that peculiar class of people who haunt the auction-rooms — people who display an interest in every lot, yet have never been known to buy.

Simultaneously a miscellaneous sale of "sporting goods" is taking place on the
ground floor. People of quite a different type attend this sale: men of sporting
tendencies and horsey appearance take the place of the Jews, who form a large proportion of the buyers at the jewellery sales. Here are sportsmen's knives and bicycles, guns by the score, walking sticks, shooting boots, billiard cues and fishing rods, boxes of cigars, and bottles of champagne or burgundy; all things which no true sportsman should be without.

Incredible as it may seem to the uninitiated, there are thousands of persons in London alone who are making a comfortable living out of "Uncle" by buying or manufacturing and pledging goods. There are regular manufactories where clothing can be purchased at a price which the unwary pawnbroker will advance upon, and several pledges in the course of a day will bring a handsome profit.
Plate and jewellery are manufactured for the same purpose. Now it is a gold charm for the watch chain; again it is a silver cigarette box, the weight of which has been considerably increased by the insertion of a piece of base metal between the cedar wood lining and the silver exterior. Everything that the pawnbroker will lend money upon — that is to say everything that has any market value whatever — is manufactured for the sole purpose of deceiving him, while sometimes even the natural beauties of goods are artificially enhanced by the aid of scientific knowledge.

To please his clients, to be careful without giving offence, to prevent fraud, and to detain the guilty while trying to make a little for himself, is no light task. If "Uncle" does not give satisfaction all round it is scarcely to be wondered at. He does his best under difficult and often disagreeable circumstances, and those who are too prone to blame him for a mistake are generally quite ignorant of the nature and extent of his business.
-          C.A Cuthbert Keeson, 1902

Pawn shops are still around now, but not in anything near the same density as in the nineteenth and early twentieth century. Looking upon them and their customers as an outsider it can be easy to see them as somehow taking advantage of the poor who used them, especially when you read that a little pair of child’s shoes had been pawned, and can picture in your mind the little tot running about the streets barefoot so that the family could have a meal, or pay the rent – whatever the money was for.

But, if you try and see it from the point of view of the poor, it would be interesting to know how many lives were saved by the pawnbrokers. How many empty stomachs were filled by money given out by him for an old shawl or a broom? How many roofs were kept over little heads after he paid poor mothers for their petticoats?

Besides, if faced with the choice of either selling an item we owned for a little money or turning up at the gates of a workhouse, how many of us today would throw ourselves upon the mercy of the parish and spend our days separate from our loved ones and eating gruel in between working tirelessly for no reward? 

Saturday, 25 December 2010

‘In the Workhouse; Christmas Day’; by George R. Sims

It wasn’t my intention to put any more poetry on here, but I picked up a copy Staffordshire newspaper, The Sentinel last week whilst on a Christmas gift delivery mission to Miss Amateur Casual’s home town. I only read the paper a few days ago, though, and came across an article entitled:
‘Christmas Day in The Wolstanton And Burslem Union Workhouse in Chell.’
(Chell being an area of Stoke-On-Trent) The article cited a few lines from the poem ‘In the Workhouse: Christmas Day’ by George R. Sims.

With this being the festive season, I thought this as good a time as any to put this poem up, whilst at the same time writing a little bit about the author, George R. Sims.

George R. Sims
George R. Sims was born in London in 1847, the son of a successful businessman who owned a wholesale and export cabinet manufacturing business.
George was educated at Eastbourne College, after which he worked for his father. This, he found unsatisfying, as he had a strong desire to become a writer, he went some way to achieving this in 1872 when he began writing theatre reviews for two journals, ‘Dark Blue’ and ‘Woman’.

Three years later he became a staff writer with Fun and in 1877 moved to Referee. He also wrote a column for the ‘Weekly Dispatch’. 
George indulged his creative writing desires with plays. He wrote one of moderate success entitled ‘Crutch and Toothpick’ in 1879, aged 32, but it was ‘The Lights of London’ that established him as a playwright.
His other plays include ‘Romany Rye’, ‘The Member for Slocum’ and ‘The Harbour Lights’. 

In the 1880s Sims often wrote poetry on social issues for Referee, whom he had now been contributing to for over five years. These poems became known as the ‘Dagonet Ballads’, the most famous of these being ‘In the Workhouse: Christmas Day’.
Its passionate social concern for the plight of the poor caught the ears of the public in the same way as Greenwood’s ‘A Night in the Workhouse’ had in 1866.
‘In the Workhouse: Christmas Day’ made Sims a strong voice for reform, using his writing and poetry to dramatize the plight of suffering Londoners and bring it the public attention.

Sims wrote in his memoirs that after ‘In the Workhouse: Christmas Day’ was first published it was "vigorously denounced as a mischievous attempt to set the paupers against their betters". 

With the bit between his teeth after his success
, Sims, along with his great friend, John Burns, gave lectures on the need for social reform. After one of these meetings in Southwark, Sims was approached by Arthur Moss, a local School Board officer. Moss told Sims of the terrible poverty that large numbers of working class people were experiencing in London, and offered to take Sims of a tour of the district. 
The tour shocked and opened Sims eyes at once. He decided he would try to find a way of bringing this information to the notice of the general public. He approached his friend, Gilbert Dalziel, the editor of a new illustrated paper, ‘The Pictorial World’ who agreed to publish a series of articles by Sims on the living conditions of people in London.

Illustrated by Frederick Burnard, the articles were later published as a book in 1889 entitled ‘How the Poor Live’. Articles originally published in the Daily News appeared in another volume in 1889 entitled Horrible London.

Sims also wrote many popular ballads attempting to draw attention to the plight of the London poor, a selfless undertaking that raised public opinion on the subject of poverty and led to reform legislation in the Act of 1885

Sims was intrigued by the psychology of crime, and in the 1890’s he wrote some ingenious detective stories. ‘Dorcas Dene’, written in 1897, featured a woman detective. At Arthur Lambton's Crimes Club, Sims enjoyed discussing cases with Max Pemberton, Conan Doyle and John Churton Collins. He was consumed with the murders of Jack the Ripper and at one point he was even a suspect.

Although by now Sims was mainly a playwright, he continued to write on social issues. In 1909, At the age of 62, he wrote a series of articles on child poverty that appeared in the Daily Telegraph. These were eventually published as the books: ‘London by Night’ and ‘Watches of the Night’. Sims also wrote for the Daily Mail and the Evening News, newspapers which were owned by his friend, Lord Northcliffe. 

Sims enjoyed his position as a successful author and playwright and reported earnings of nearly £150,000 in 1898, but he gambled most of his wealth away, or gave it to charities. Sims was a charitable man, a trait no doubt brought about by his work on behalf of the poor, and along with Mrs. E. W. Burgwin, he founded the Referee Children's Free Breakfast and Dinner Fund in 1880, which became London's largest charity of this kind. He also worked to promote the boys' clubs movement and campaigned to open museums and galleries and permit concerts on Sundays as part of the National Sunday League.

He used the Daily Mail to wage a campaign to secure the pardon and release of a Norwegian, Adolph Beck, who had twice been imprisoned because of mistaken identity. This effort led to the establishment, in 1907, of the court of criminal appeal. For his assistance, in 1905, the king of Sweden and Norway made him a knight of the order of St Olaf, first class, awarded by in 1905.

In the last few years of his life Sims worked on his memoirs. His autobiography, ‘My Life: Sixty Years' Recollections of Bohemian London was published in 1917. He was passionate about sports, especially horse racing and boxing, and he played badminton and bred bulldogs. He even a baldness curing tonic named Tatcho, but his friends found this a source of mirth when it did not stop his own hairline from receding.

George R. Sims died at his home in Regent's Park, London, just after his 75th birthday in 1922, from liver cancer.
His autobiography, ‘My Life: Sixty Years' Recollections of Bohemian London’ (1917) became very popular. It consisted of reminiscences originally contributed to The Evening News.

A modern edition of his poetry, ‘Prepare to Shed Them Now’ was published in 1968.

And now, as promised, the poem that gave George his big break,
‘In the Workhouse: Christmas Day:’

It is Christmas Day in the workhouse,
And the cold, bare walls are bright
With garlands of green and holly,
Ad the place is a pleasant sight;
For with clean-washed hands and faces,
In a long and hungry line
The paupers sit at the table,
For this is the hour they dine.

And the guardians and their ladies,
Although the wind is east,
Have come in their furs and wrappers,
To watch their charges feast;
To smile and be condescending,
Put pudding on pauper plates.
To be hosts at the workhouse banquet
They've paid for — with the rates.

Oh, the paupers are meek and lowly
With their "Thank'ee kindly, mum's!'"
So long as they fill their stomachs,
What matter it whence it comes!
But one of the old men mutters,
And pushes his plate aside:
"Great God!" he cries, "but it chokes me!
For this is the day she died!"

The guardians gazed in horror,
The master's face went white;
"Did a pauper refuse the pudding?"
"Could their ears believe aright?"
Then the ladies clutched their husbands,
Thinking the man would die,
Struck by a bolt, or something,
By the outraged One on high.

But the pauper sat for a moment,
Then rose 'mid silence grim,
For the others had ceased to chatter
And trembled in every limb.
He looked at the guardians' ladies,
Then, eyeing their lords, he said,
"I eat not the food of villains
Whose hands are foul and red:

"Whose victims cry for vengeance
From their dark, unhallowed graves."
"He's drunk!" said the workhouse master,
"Or else he's mad and raves."
"Not drunk or mad," cried the pauper,
"But only a haunted beast,
Who, torn by the hounds and mangled,
Declines the vulture's feast.

"I care not a curse for the guardians,
And I won't be dragged away;
Just let me have the fit out,
It's only on Christmas Day
That the black past comes to goad me,
And prey on my burning brain;
I'll tell you the rest in a whisper —
I swear I won't shout again.

"Keep your hands off me, curse you!
Hear me right out to the end.
You come here to see how paupers
The season of Christmas spend;.
You come here to watch us feeding,
As they watched the captured beast.
Here's why a penniless pauper
Spits on your paltry feast.

"Do you think I will take your bounty,
And let you smile and think
You're doing a noble action
With the parish's meat and drink?
Where is my wife, you traitors —
The poor old wife you slew?
Yes, by the God above me,
My Nance was killed by you!

'Last winter my wife lay dying,
Starved in a filthy den;
I had never been to the parish —
I came to the parish then.
I swallowed my pride in coming,
For ere the ruin came,
I held up my head as a trader,
And I bore a spotless name.

"I came to the parish, craving
Bread for a starving wife,
Bread for the woman who'd loved me
Through fifty years of life;
And what do you think they told me,
Mocking my awful grief,
That 'the House' was open to us,
But they wouldn't give 'out relief'.

"I slunk to the filthy alley —
'Twas a cold, raw Christmas Eve —
And the bakers' shops were open,
Tempting a man to thieve;
But I clenched my fists together,
Holding my head awry,
So I came to her empty-handed
And mournfully told her why.

"Then I told her the house was open;
She had heard of the ways of that,
For her bloodless cheeks went crimson,
and up in her rags she sat,
Crying, 'Bide the Christmas here, John,
We've never had one apart;
I think I can bear the hunger —
The other would break my heart.'

"All through that eve I watched her,
Holding her hand in mine,
Praying the Lord and weeping,
Till my lips were salt as brine;
I asked her once if she hungered,
And as she answered 'No' ,
T'he moon shone in at the window,
Set in a wreath of snow.

"Then the room was bathed in glory,
And I saw in my darling's eyes
The faraway look of wonder
That comes when the spirit flies;
And her lips were parched and parted,
And her reason came and went.
For she raved of our home in Devon,
Where our happiest years were spent.

"And the accents, long forgotten,
Came back to the tongue once more.
For she talked like the country lassie
I woo'd by the Devon shore;
Then she rose to her feet and trembled,
And fell on the rags and moaned,
And, 'Give me a crust — I'm famished —
For the love of God!' she groaned.

"I rushed from the room like a madman
And flew to the workhouse gate,
Crying, 'Food for a dying woman!'
And the answer came, 'Too late.'
They drove me away with curses;
Then I fought with a dog in the street
And tore from the mongrel's clutches
A crust he was trying to eat.

"Back through the filthy byways!
Back through the trampled slush!
Up to the crazy garret,
Wrapped in an awful hush;
My heart sank down at the threshold,
And I paused with a sudden thrill.
For there, in the silv'ry moonlight,
My Nance lay, cold and still.

"Up to the blackened ceiling,
The sunken eyes were cast —
I knew on those lips, all bloodless,
My name had been the last;
She called for her absent husband —
O God! had I but known! —
Had called in vain, and, in anguish,
Had died in that den — alone.

"Yes, there, in a land of plenty,
Lay a loving woman dead,
Cruelly starved and murdered
for a loaf of the parish bread;
At yonder gate, last Christmas,
I craved for a human life,
You, who would feed us paupers,
What of my murdered wife!"

'There, get ye gone to your dinners,
Don't mind me in the least,
Think of the happy paupers
Eating your Christmas feast;
And when you recount their blessings
In your smug parochial way,
Say what you did for me, too,
Only last Christmas Day."

Honestly now, that is the last bit of Victorian poetry until next Christmas at least!

Incidentally, to put a full stop on the opening of this post, the Chell Workhouse was built around 1838, and was bleak enough to earn the nickname, The Bastille.

The city council took over its administration from the Stoke and Wolstanton Board of Guardians in 1930, but it continued to take in the sick, elderly, impoverished and homeless.
Today, the Westcliffe Hospital stands on the site of the workhouse.